Domestic Disorientation addresses the condition that emerges after the logic of care and control, once embodied by the garden, migrates into the domestic interior. While the home appears to be the most private of spaces, it is also where social norms and expectations of life are most quietly repeated and internalized. This series focuses on moments when that alignment begins to fail.

Figures are absent. Instead, the compositions are formed by domestic objects, worn-out tools, displaced items, and potted plants. These objects function as traces of the body’s passage through space. Items that have lost their function but remain unremoved reveal a state of life that no longer conforms to expectations of productivity or proper use.

The garden reappears in miniature as potted plants within the home. Although living, these plants exist under entirely artificial conditions, dependent on constant care. Their conditional survival mirrors bodies that must continually adjust and recalibrate after migration. Care here does not lead to stability, but to ongoing regulation.

Color is deliberately excessive and vivid. While it echoes the images of bright, liberated lives circulated through media, within this space it becomes a surface that exposes fatigue and instability. Domestic Disorientation presents the home as a space that no longer offers orientation, where life no longer aligns naturally.